Jose Rizal part 2

His Execution

Moments before his execution by a firing squad of Filipino native infantry, backed by an insurance force of Spanish troops, the Spanish surgeon general requested to take his pulse; it was normal. Aware of this, the Spanish sergeant in charge of the backup force hushed his men to silence when they began raising 'vivas!' with the partisan crowd. His last words were that of Jesus Christ: "consummatum est",--it is finished

He was secretly buried in Paco Cemetery in Manila with no identification on his grave. His sister Narcisa toured all possible gravesites and found freshly turned earth at the cemetery with civil guards posted at the gate. Assuming this could be the most likely spot, there being ever no ground burials there, she made a gift to the caretaker to mark the site "RPJ."

national monument

Main article: Rizal Park
A monument, with his remains, now stands at the place where he fell, designed by the Swiss Richard Kissling of the famed William Tell sculpture.

The statue carries the inscription I want to show to those who deprive people the right to love of country, that when we know how to sacrifice ourselves for our duties and convictions, death does not matter if one dies for those one loves – for his country and for others dear to him

Retraction "Contraversy"

That his burial was not on holy ground led to issues raised on the veracity of accounts of his 'retraction,' which the Church ever since has been vigorously defending. Many continue to believe that Rizal neither married his sweetheart Josephine Bracken in Roman Catholic rites hours before his execution nor ever retracted those parts of his writings that were anti-Roman Catholic.

Those who deny the retraction point out to a revealing clue tucked in 'Adios', I go where there are no slaves, no hangmen or oppressors, where faith does not kill...

Whether this stanza was his final comment on the Catholic Church is a subject of dispute. In most of his writings Rizal maintained that the men of the cloth were the real rulers and the real government. Much of the Church's case rests on claims of a signed retraction, a copy of which could not be produced and shown to the Rizal family despite their repeated requests. The retraction controversy was documented in a film .

"Mi último adiós"

Main article: Mi Ultimo Adios

The poem is more aptly titled, "Adios, Patria Adorada" (literally "Farewell, Beloved Country"). By virtue of logic and literary tradition, the words come from the first line of the poem itself. It first appeared in print not in Manila but in Hong Kong in 1897, when a copy of the poem and an accompanying photograph came to J. P. Braga who decided to publish it in a monthly journal he edited. There was a delay when Braga, who greatly admired Rizal, wanted a good job of the photograph and sent it to be engraved in London, a process taking well over two months. It finally appeared under 'Mi último pensamiento,' a title he supplied and by which it was known for a few years. Thus, when the Jesuit Father Balaguer's anonymous account of the retraction and the marriage to Josephine was appearing in Barcelona, no word of the poem's existence reached him in time to revise what he had written. His account was too elaborate that Rizal would have had no time to write "Adiós."

Six years after his death, when the Philippine Organic Act of 1902 was being debated in the United States Congress, Representative Henry Cooper of Wisconsin rendered an English translation of Rizal's valedictory poem capped by the peroration, "Under what clime or what skies has tyranny claimed a nobler victim?"[30] The Americans, however, would not sign the bill into law until 1916 and did not grant full autonomy until 1946--fifty years after Rizal's death.

Josephine Bracken

Josephine Bracken promptly joined the revolutionary forces in Cavite province, making her way through thicket and mud, and helped operate a reloading jig for Mauser cartridges at the arsenal at Imus. The short-lived arsenal under the Revolutionary General Pantaleon Garcia had been reloading spent cartridges again and again and the reloading jig was in continuous use, but Imus was under threat of recapture that the operation had to move, with Josephine, to Maragondon, the mountain redoubt in Cavite. She witnessed the Tejeros Convention prior to returning to Manila and was summoned by the Governor-General, but owing to her stepfather's American citizenship she could not be forcibly deported. She left voluntarily, returning to Hong Kong. She later married another Filipino, Vicente Abad, a mestizo acting as agent for the Philippine firm of Tabacalera. She died in Hong Kong in 1902, a pauper's death, buried in an unknown grave, and never knew how a line of verse had rendered her immortal.

Polavieja faced condemnation by his countrymen. Years after his return to Spain, while visiting Giron in Cataluña, circulars were distributed among the crowd bearing Rizal's last verses, his portrait, and the charge that to Polavieja was due the loss of the Philippines to Spain.
She bore a stillborn child with Rizal, Francisco Bracken Rizal, who was buried in Dapitan, Mindanao. The child's birth is portrayed in the Marilou Diaz-Abaya film "Rizal"